Santa Maria del Pi embodies all the strength, solidity and creativity of the Catalan spirit. The huge single nave transmits a sensation of spirituality, space and mass all at once and its sheer width is striking.
Even the chapels between the buttresses contribute to the expanse instead of chopping it up as they do in some other churches.
The rose window, set in its cliff-like wall of stone, is said to be the largest in the world; seen from inside the church when the afternoon sun falls on it from over the buildings, it is spectacular.
Beneath the rose window and above the door is another outstanding feature and evidence of the great vision and skill of the Catalan architects and builders of the middle ages: the shallow stone arch supporting the choir. It spans the entire width of the church and its rise is so little as to make the arch itself seem an impossibility. It looks far too flat to stand, let alone bear the weight of the choir. Yet its shape is so harmonious and effortlessly elegant it leaves you breathless with admiration.
Building began in 1319 and was completed in 1391 meaning the church was one of the many Gothic buildings started during a period of prosperity but completed during the successive ravages of epidemics, plague and violent unrest.
The tower, finished off flat like most Gothic towers in Barcelona, (Why is the one in the Plaça del Rei different? That story is yet to come…) was probably finished around 1461. Designed by master architect Bartomeu Mas, work began in 1376. It is said that the master builder, desperate to find funds to complete the church, made a pact with the Devil. But the Devil only agreed to provide him with the materials required in exchange for the builder’s soul, to be delivered when the 100th step of the tower was laid. “Right-ho”, said the builder and promptly built up to the 99th and then went on to finish the rest of the church. This took so long he died of old age before getting round to laying the 100th step thus cheating the devil of his dues.

C/ Cardenal Casañas, 16, 08002 Barcelona, Spain
+34 933 18 47 43
www.labasilica.es
Google map: bit.ly/kvEPPm

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One of the entrances to Cathedral La seu is through the cloistered courtyard. It’s a wonderful space, stone flagged floors, arched recesses, gothic columns and lush green foliage. One can easily imagine walking slowly around the cloisters in quiet contemplation. Ah, except for the interruptions of the geese which share the space.

There are 13 geese, each representing one-year of the life of the martyred Santa Eulalia, the patron Saint of Barcelona. One does get the sense that the geese feel they are the real owners of the courtyard; everyone else is just an interloper. And they are probably right.

Inside the beautifully cool interior are some wonderfully ornate side chapels, paintings and gilding. The high ceiling has carved round plagues at each axis and the patches of weathering on the roof rather than detracting from the decoration actually add to the feel of the place, giving a sense of history and continuity.

The choir stalls are handsomely decorated with coats of arms and all through the cathedral are wonderfully rich colours and decorative flourishes. It is an incredibly impressive building, a focal point for the area and community, imposing yet also welcoming and peaceful.

A lift takes you to the roof and a walk along the bouncy steel walkway not only gives you fantastic views over the city but also allows you to see up close the architecture of the cathedral itself.

Plaça de la Seu
Barri Gotic. Metro: Lines 1 and 3 (Catalunya Station) and Lines 2 and 4 (Urquinaona Station.)
www.catedralbcn.org

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Designed by Gaudi, begun in 1883 and still being constructed, the Sagrada Familia radiates a compelling presence in the city, even before you visit it. Maybe it is the fact that it is unfinished, maybe it's the unusual architecture and decoration - which includes broken bottles and ceramics - but there is something so creative about the building that it'll work on your imagination.

From a distance the facade looks like someone has taken a lump of clay, kneaded and moulded it into a mass of spikes, icicles, holes and ridges. Closer up and you begin to pick out elements, even closer and you become overwhelmed by the intricate details. Inside the lines of the stone are clean, elegant, tactile.

The structure and composition of the building is very organic - photographs show how some of the columns were inspired by trees - and it is almost as if the building has developed on its own burgeoning from the earth, expending and blossoming as it grows. I particularly sensed this inside the structure and when climbing around inside the thin towers, the building has such a strong sense of identity, its own identity, separate from the person who designed it and the people building it. Maybe that is in part what makes this a remarkable structure, the way that is both representative of Gaudi's vision but is also somehow independent. This is not just a building it's an ongoing work of art.

Carrer de Mallorca 401
Metro: Line 2 or 5 Station: SagradaFamilia
www.sagradafamilia.org

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