One of the entrances to Cathedral La seu is through the cloistered courtyard. It’s a wonderful space, stone flagged floors, arched recesses, gothic columns and lush green foliage. One can easily imagine walking slowly around the cloisters in quiet contemplation. Ah, except for the interruptions of the geese which share the space.

There are 13 geese, each representing one-year of the life of the martyred Santa Eulalia, the patron Saint of Barcelona. One does get the sense that the geese feel they are the real owners of the courtyard; everyone else is just an interloper. And they are probably right.

Inside the beautifully cool interior are some wonderfully ornate side chapels, paintings and gilding. The high ceiling has carved round plagues at each axis and the patches of weathering on the roof rather than detracting from the decoration actually add to the feel of the place, giving a sense of history and continuity.

The choir stalls are handsomely decorated with coats of arms and all through the cathedral are wonderfully rich colours and decorative flourishes. It is an incredibly impressive building, a focal point for the area and community, imposing yet also welcoming and peaceful.

A lift takes you to the roof and a walk along the bouncy steel walkway not only gives you fantastic views over the city but also allows you to see up close the architecture of the cathedral itself.

Plaça de la Seu
Barri Gotic. Metro: Lines 1 and 3 (Catalunya Station) and Lines 2 and 4 (Urquinaona Station.)
www.catedralbcn.org

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Designed by Gaudi, begun in 1883 and still being constructed, the Sagrada Familia radiates a compelling presence in the city, even before you visit it. Maybe it is the fact that it is unfinished, maybe it's the unusual architecture and decoration - which includes broken bottles and ceramics - but there is something so creative about the building that it'll work on your imagination.

From a distance the facade looks like someone has taken a lump of clay, kneaded and moulded it into a mass of spikes, icicles, holes and ridges. Closer up and you begin to pick out elements, even closer and you become overwhelmed by the intricate details. Inside the lines of the stone are clean, elegant, tactile.

The structure and composition of the building is very organic - photographs show how some of the columns were inspired by trees - and it is almost as if the building has developed on its own burgeoning from the earth, expending and blossoming as it grows. I particularly sensed this inside the structure and when climbing around inside the thin towers, the building has such a strong sense of identity, its own identity, separate from the person who designed it and the people building it. Maybe that is in part what makes this a remarkable structure, the way that is both representative of Gaudi's vision but is also somehow independent. This is not just a building it's an ongoing work of art.

Carrer de Mallorca 401
Metro: Line 2 or 5 Station: SagradaFamilia
www.sagradafamilia.org

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